Karine Polwart's Scottish Songbook (Album Review)

July 29, 2019 by Rich Barnard in Album Reviews, Folk, Pop, Singer-Songwriter

You probably never noticed, but a lot of the pop music you grew up on was born in Scotland. You can’t have been raised in the 80s without escaping Simple Minds; in the 90s without strumming along to Del Amitri, or in the noughties without tapping your toes to KT Tunstall. And now, multi-award-winning folk singer-songwriter Karine Polwart has drawn on these decades, among others, to bring you her latest release: Scottish Songbook. This celebration of the history of Scot-pop began when Karine gathered two dozen songs together for a live show she took to the 2018 Edinburgh Festival. A year on, eleven of those songs coalesce on an album that is reverent, revealing and - above all - rewarding.

Leroy From The North - Health and Fitness EP (Album Review)

July 26, 2019 by David Vousden in Album Reviews, Americana, Classic Rock, Country Rock, Singer-Songwriter

Leroy from the North is the debut solo offering from Eli Wulfmeier a singer/guitarist from Los Angeles by way of Michigan. If the name sounds familiar it’s hardly surprising as Eli spent three years as a member of The Wild Feathers; whose 2013, John ‘Jay’ Joyce produced, debut is a cool slab of Eagles/Jayhawks influenced country rock. Eli’s other credits include playing with Katy Rose, Shelby Lynne and Joe Purdy amongst others and he is also a member of female-fronted hard rockers Dorothy. Eli brings all of these influences along for the ride on the five tracks that comprise his ‘Health and Fitness EP.

Espanola - Espanola (Album Review)

July 15, 2019 by Rich Barnard in Album Reviews, Classic Rock, Rock, Singer-Songwriter

Listening to the new self-titled album from Espanola is a bit like pulling on a pair of boots that you’ve worn every day for the last twenty years. This is music so comforting and worn-in; so natural and loose that, despite being released in 2019, stirs feelings of nostalgia and warmth normally reserved for those precious pieces of vinyl you’ve owned forever. As I listen I am forced to ask myself: “is this really happening?” and, as the vintage classics pour forth, I occasionally slap myself to check it isn’t a dream. It transpires I am fully awake and that this could be the realest thing I’ve heard in decades.

Glen Hansard - This Wild Willing (Album Review)

April 10, 2019 by Rich Barnard in 80s, Album Reviews, Americana, Folk, Singer-Songwriter

After three lauded solo records and countless packed-out shows across the globe, Glen Hansard has amassed laurels aplenty upon which to rest if he were that way inclined. Thankfully, it would appear he is not, as This Wild Willing represents a decisive step forward in the post-Once career of the onetime Frames frontman as he eases off on the Van Morrisonisms he’s become synonymous with and begins re-engaging with the boundary-pushing of his earlier work.

Field Guide - Full Time EP (Album Review)

April 08, 2019 by Rich Barnard in Album Reviews, Singer-Songwriter

One of the most welcome surprises to land in the RGM inbox this week is the new self-produced EP from Field Guide. Hailing from Manitoba, Canada, Field Guide is the brainchild of singer-songwriter Dylan MacDonald and Full Time is a beautifully hushed quartet of thoughtfully written, warmly delivered songs of heartbreak, loss and leaving. Artists trading in confessional acoustic intimacy are pretty easy to come by but what sets Field Guide apart from the crowd is the lyrical quality and the careful, understated execution in what they do. Rather than wallowing in regret, the songs take a more philosophical path, which oddly makes this record feel more like a pick-me-up than a drag-me-down. The songs are sad but matter-of-fact; sober but wry.

JD Simo - Off At 11 (Album Review)

March 19, 2019 by David Vousden in Album Reviews, Blues, Classic Rock, Singer-Songwriter

Nashville-based singer and guitarist JD Simo is currently touring the UK (March 2019) with guitar great Tommy Emmanuel CGP so his credentials as a guitarist will not be in question. I’d incorrectly assumed that JD was a straight-ahead bluesman; an assumption blown out of the water by ‘Off At 11’. The blues play a major part in JD’s sound but jazz fans and psychedelic rockers will find much to enjoy as JD and his terrific band; Adam Abrashoff (drums) and bass player Luke Easterling play up a storm on a freewheeling set that owes as big a debt to Miles Davis and The Grateful Dead as it does the Lightnin’ Hopkins and BB King.

David Ian Roberts - Travelling Bright (Album Review)

March 14, 2019 by Rich Barnard in Album Reviews, Folk, Singer-Songwriter

It’s not often we come across a record as carefully crafted as Travelling Bright, the second full-length release from Welshman David Ian Roberts. It is an album in the truest sense - a journey - an immersive and hypnotic journey into a glittering world of acoustic delights. Travelling Bright is designed to be taken in at one sitting and is therefore fittingly available as a double LP, and if you’ve an hour to spare, not only could it take you places, it could also help you fall back in love with the forgotten act of sitting still and listening to some nice vinyl.

Haint Blue - Overgrown (Album Review)

February 15, 2019 by Rich Barnard in Album Reviews, Americana, Singer-Songwriter

If you like your Americana to pack a serious punch then step into the ring and go a few rounds with Haint Blue. The Baltimore-based seven-piece, headed by vocalist Mike Cohn, have just released Overgrown, an epic storybook LP that has been ten years in the making. The songs are woven from Cohn’s time spent in the grip of a rigid fundamentalist faith, with which he ultimately cut ties. The songs deal in turn with the wrench of this emancipation; the loss of faith and friendship and the struggle with depression and addiction. Told you it was heavyweight.

Don Brownrigg - Fireworks (Album Review)

February 06, 2019 by Rich Barnard in Album Reviews, Singer-Songwriter

Canadian singer-songwriter Don Brownrigg came to our attention last year with his single ‘Room For Me’; three and a half minutes of what is best described as world-feariness, employing nothing more than a delicately-picked guitar, baritone vocal and gossamer-light strings. Its closing line of “I’m not sure, I’m not sure, I’m not sure I’m not crazy” captures a vulnerability that instantly made us want to know more of the story.

Only Yours - Overrun (Album Review)

February 01, 2019 by Rich Barnard in Album Reviews, Pop, Singer-Songwriter

Ever feel like bands peddling soaring, epic pop just pass you by like buses in a big city? You hop on, you hop off and you don’t give much thought to where they’re going next. Well, Only Yours is one bus that you should definitely be catching. In fact, if you can bear to keep running alongside the clumsy public transport metaphor, Overrun is a record you simply must not miss.

David Leask - Six in 6/8 (Album Review)

January 02, 2019 by David Vousden in Album Reviews, Singer-Songwriter, Folk, Country, Americana

When David Leask reflects on the reasoning behind his latest release, “6/8 feels like a musical home to me, a signature of time, a sense of place” he sounds like a man at peace with his surroundings and the creative process. It’s hardly surprising then that the six songs on this fantastic EP are so impressive, even if the initial idea seems a little off-kilter. Six songs recorded in a 6/8 time signature might sound a little strange until you realise the great range that 6/8 allows, especially when coupled with superior tunes. If you’re wondering about 6/8 then think of it as a variation on a waltz—a lilt if you will—and you’ve got the idea. Many of your favourite songs will have been written in this time signature, trust me we’re not talking weird Frank Zappa approved strangeness here

Seth Lakeman - The Well Worn Path (Album Review)

November 28, 2018 by David Vousden in Album Reviews, Folk, Singer-Songwriter

It really is hard to believe that two years have passed since the release of the last Seth Lakeman album ‘Ballads Of The Broken Few’ (review) an album that found Seth working with folk trio Wildwood Kin on what would turn out to be a really terrific record. The album’s stripped back acoustic sound added an Americana style spin on Seth’s folk roots and the result was a record that still makes regular returns to the RGM stereo. In those two years Seth has toured ‘Ballads’ extensively often with Wildwood Kin along for the ride. He also took up Robert Plant’s offer of a spot in Plant’s Sensational Shape Shifters for a world tour that would find Seth pulling double duty as the opening act on occasion. You’d think that’d be enough to keep most people gainfully employed but Seth also found the time to record a new album ‘The Well Worn Path’.

Amy Ray - Holler (Album Review)

November 08, 2018 by Rich Barnard in Album Reviews, Americana, Country, Folk, Singer-Songwriter

As one half of the Indigo Girls for over thirty years, Amy Ray’s feistiness and grit always served as a contrast and balance to Emily Saliers’ tenderness and sheen and this is doubtless what has made the duo such an enduring success. Ray has, by now, rightly earned her place as a member of folk rock royalty and on Holler, her sixth (who knew?!) solo record, her creative fires are burning as bright as ever.

Amigo The Devil - Everything Is Fine (Album Review)

October 26, 2018 by David Vousden in Album Reviews, Americana, Country, Folk, Heavy Metal, Singer-Songwriter

Danny Kiranos aka Amigo The Devil arrives on the scene with ‘Everything Is Fine’ and the one thing I can tell with absolute certainty is that things most definitely are not fine. In fact, we’re as far from fine as it’s possible to get. “This life is a joke and death is the punch line” gives you a good idea of Kiranos’ state of mind as Amigo The Devil. So join me, if you’d like to partake in an hour or so of Southern gothic murder folk country, with an occasional hard rock/metal left turn, because you never know things might turn out fine in the end, but I wouldn’t bet on it.

Major Love - Self Titled (Album Review)

October 08, 2018 by Rich Barnard in Album Reviews, Alternative Rock, Pop, Singer-Songwriter

Canadian singer-songwriter Colleen Brown first came to our attention here at RGM back in 2015 with the single ‘Soap & Denim’ which was followed by some low-key UK live dates. Brown was, by then, already a seasoned solo artist with a few albums under her belt but for us - here on this side of the water - it felt like the discovery of a new and rare talent. We’ve kept up with Brown ever since and now that she has a new full-length LP out (her first fronting five-piece Major Love) we feel the strong urge to let as many people as possible know about it.

J.P. Harris - Sometimes Dogs Bark At Nothing (Album Review)

October 04, 2018 by David Vousden in Album Reviews, Alt-Country, Americana, Country, Country Rock, Singer-Songwriter

The really great thing about country music these days is the wide range of music associated with the genre. If you like your country with that Nashville sheen, or maybe look for something a little more pop or bro it’s out there. If you’re looking for a good old-fashioned tune, that’ll bring a tear to the eye because your dog died, or your wife/significant other left you, it’s out there. In many ways, due to the sheer weight of music being produced these days there really is something for everyone. I’m happy to check out pretty much anything under the country/Americana banner but I must admit that you can’t beat an album that sounds old-school and timeless yet current. With that in mind, J.P. Harris has delivered a record that feels right, looks right and above all sounds right.

Josh Taerk - Beautiful Tragedy (Album Review)

September 25, 2018 by David Vousden in Album Reviews, Americana, Classic Rock, Country, Singer-Songwriter

RGM first encountered Josh Taerk in late 2017 with the release of his ‘Stages’ EP a five track collection full of lyrical positivity and melody. Less than a year later and Josh is back with ‘Beautiful Tragedy’ which takes up where ‘Stages’ left off. I’m pleased to report that despite a serious haircut Josh hasn’t endured a Samson style loss of his creative strength.

S.K. Wellington - Where The Earth Meets The Sea (EP Review)

September 20, 2018 by Rich Barnard in Album Reviews, Folk, Singer-Songwriter, Americana

S. K. Wellington’s debut EP is the lovingly-nurtured baby of Canadian singer-songwriter Sarah Kemmers. It follows a long period of stepping back from her musical endeavours to stop, reassess and rekindle her creative fires. As a result there’s a confident, easy and nothing-to-lose vibe coursing through this four song collection which significantly contributes to its appeal.

Ruston Kelly - Dying Star (Album Review)

September 06, 2018 by David Vousden in Album Reviews, Americana, Country, Singer-Songwriter

Ruston Kelly has one of those back stories so strange you couldn’t make it up. Born in South Carolina Kelly's early childhood was fragmented as his dad worked in paper mills and travelled often for work, so every couple of years the family upped sticks. In his early teens Kelly hoped for a career in figure skating, so he moved to Michigan and joined an Olympic coaching team, which proved to be a very tough and lonely existence. Those dreams didn’t pan out, but with the music of Jackson Browne and his dad’s old guitar for company, the songwriting seed was sown. It wasn’t until his senior year in high school that he discovered The Carter Family and Johnny Cash in, of all places, the Belgium city of Brussels that things really started to click. At seventeen he returned to the USA and moved in with his sister in Nashville. Eventually, in 2013 a publishing deal was signed and Kelly placed songs with Josh Abbott and Tim McGraw — that helped pay the rent — before he snagged his own record deal and released the ‘Halloween’ EP in 2017 to impressive reviews.

Tom Baxter - The Other Side Of Blue (Album Review)

August 13, 2018 by Rich Barnard in Acoustic, Album Reviews, Folk, Singer-Songwriter

A decade and a half ago, Tom Baxter, was riding the wave of an acoustic singer-songwriter renaissance, championed by the New Acoustic Movement and Roadworks tours, which played a part in the successes of Tom McRae, Ben & Jason, Polly Paulusma and KT Tunstall. Like Tunstall, Baxter landed a major label deal but Columbia didn’t invest in him as a long-term prospect (Tunstall was, conversely, carefully developed by Relentless). Baxter was dropped after his debut Feather & Stone failed to cut the commercial mustard; a criminal state of affairs, given that the album was an incredible, hit-riddled record, dripping with giant string arrangements and emotional energy. The independently recorded yet equally strong Skybound followed in 2007 and spawned the single ‘Better’, a cover of which - for better or worse depending on your view - was a big hit for Boyzone a year later. Fast forward to 2018 and Tom Baxter - having been married, divorced and married again in that time - is back with The Other Side of Blue, a record that is devoid of all the whistle-and-bellery that adorned his first two outings. Every song features just a solo vocal with only guitar or piano for company. Brave? Foolish? Let’s find out…