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Sharing an easy-going vocal intimacy with Josh Rouse and Paul Simon, singer-songwriter Ken Yates’ new album is undeniably gentle on the ear. Spotlessly produced by multi-instrumentalist Jim Bryson (who also worked on Yates’ 2016 LP, Huntsville) there’s a light, west coast sheen to Yates’ brand of folky Americana. But, delve a little deeper and you’ll quickly find a sobering lyrical wisdom that’s not always synonymous with the genre.
Read MoreIt’s been said many times before, but the covers record is a fickle beast and incredibly hard to get right. Do you slavishly replicate every note of the original or take a more daring approach? The replication route can prove a little dull, while the opposite route can lead to disaster, upsetting fans of the original and alienating fans hungry for original material. Both options can be considered a pointless exercise best reserved for the contractual obligation release - if you’ve not recorded a live show. Luckily Nichole Wagner didn’t listen to this advice or seemingly worry about any of these issues, and the result is an impressive release with a foot in both camps.
Read MoreWelcome to the return of an occasional RGM feature where we corral a quartet of upcoming and/or recent releases that we believe should be on your musical wish list. From bigger names to those on the first rung of the career ladder all of the artists featured here are well worth your time. From a singer-songwriter we discovered via a well-chosen support slot at a live show (you do remember live shows?) to more high profile acts with a proven pedigree the RGM team are always on the lookout for new music. So please join us on the search.
Read MoreLP5 is the record John Moreland almost didn’t make. Having released his first four albums to much acclaim in just a six year period, he started to feel the pressure of having to deliver the goods. He needed time to learn to love his songcraft again and by giving himself the freedom to experiment without expectation he finally relocated his mojo. Now, three years after 2017’s Big Bad Luv, he has emerged with a new record that is - among other things - brittle, beautiful and brave.
Read MoreLos Angeles-based six-piece Dustbowl Revival are fronted by vocalists Z. Lupetin and Liz Beebe and their expansive, genre-mashing new album Is It You, Is It Me follows their warmly received 2017 debut. The lineup has slimmed with the departure of mandolin player Daniel Mark and bassist James Klopfleisch - though the former co-wrote several tracks here - but the reduction in personnel hasn’t impacted on the ambition and fearless kitchen-sinkery of a record that refuses stylistically to fit in. If albums by artists as disparate as Jeff Finlin, Cake and Rusted Root rub shoulders uneasily in your record collection then Dustbowl Revival could be the missing link.
Read MoreSometimes you have to cross borders to get your particular fix of Americana and, of late, it’s over in Canada where I’ve been getting a much needed hit of pedal steel-laden loveliness. It is a high that comes in the form of one Sam Weber, who caught my attention late in 2019 with the superb single ‘Blackout’ (see the Maple Leaf roundup #11) and whose latest album gets a UK release this week.
Read MoreMorganway first came to my attention earlier this year when they unexpectedly appeared in the RGM inbox. The track in question was ‘Frozen In Our Time’ and my classic rock taste buds were instantly sated as Morganway presented a sound that owed a debt to the likes of Dire Straits (musically) and Fleetwood Mac (vocally) while the addition of fiddle delivered a folky musical curveball. This early positive impression would be further enhanced by subsequent singles and cemented by a really terrific live show at Black Deer Festival. I had a feeling that Morganway might be on to something a little bit special, and I’m pleased to report their debut album doesn’t disappoint.
Read MoreLeroy from the North is the debut solo offering from Eli Wulfmeier a singer/guitarist from Los Angeles by way of Michigan. If the name sounds familiar it’s hardly surprising as Eli spent three years as a member of The Wild Feathers; whose 2013, John ‘Jay’ Joyce produced, debut is a cool slab of Eagles/Jayhawks influenced country rock. Eli’s other credits include playing with Katy Rose, Shelby Lynne and Joe Purdy amongst others and he is also a member of female-fronted hard rockers Dorothy. Eli brings all of these influences along for the ride on the five tracks that comprise his ‘Health and Fitness EP.
Read MoreThe Iveys are a bona fide family band, comprising two sisters, two brothers and one brother-in-law. The current five-piece lineup has built from the initial sibling duo of Arlen Ivey and Jessica Ivey Carr and Colors Of Honey, their new six-track release, will serve as their calling card as they embark on a very busy tour of their native Texas in June.
Read MoreAfter three lauded solo records and countless packed-out shows across the globe, Glen Hansard has amassed laurels aplenty upon which to rest if he were that way inclined. Thankfully, it would appear he is not, as This Wild Willing represents a decisive step forward in the post-Once career of the onetime Frames frontman as he eases off on the Van Morrisonisms he’s become synonymous with and begins re-engaging with the boundary-pushing of his earlier work.
Read MoreIf you like your Americana to pack a serious punch then step into the ring and go a few rounds with Haint Blue. The Baltimore-based seven-piece, headed by vocalist Mike Cohn, have just released Overgrown, an epic storybook LP that has been ten years in the making. The songs are woven from Cohn’s time spent in the grip of a rigid fundamentalist faith, with which he ultimately cut ties. The songs deal in turn with the wrench of this emancipation; the loss of faith and friendship and the struggle with depression and addiction. Told you it was heavyweight.
Read MoreWhen Rhode Island’s Deer Tick returned after a four-year gap they were obviously intent on making up for lost time and released two albums of new material which showcased their ability to switch from punky alt-rock to melancholy Americana without missing a beat. The ‘Twice Is Nice’ tour followed and the artistic rejuvenation of the band continued at a pace. This rush of activity finds a logical conclusion with ‘Mayonnaise’ which acts as both a companion piece to the recent albums and a nice memory jog if you were lucky enough to catch the guys on tour. ‘Mayonnaise’ is a pretty cool release and should prove essential to fans who will find plenty of interesting stuff to get their teeth into. A mix of new material, alternate versions of recent tracks and cover tunes performed on the tour ‘Mayonnaise’ is more a rich hearty stew than a mere condiment.
Read MoreWhen David Leask reflects on the reasoning behind his latest release, “6/8 feels like a musical home to me, a signature of time, a sense of place” he sounds like a man at peace with his surroundings and the creative process. It’s hardly surprising then that the six songs on this fantastic EP are so impressive, even if the initial idea seems a little off-kilter. Six songs recorded in a 6/8 time signature might sound a little strange until you realise the great range that 6/8 allows, especially when coupled with superior tunes. If you’re wondering about 6/8 then think of it as a variation on a waltz—a lilt if you will—and you’ve got the idea. Many of your favourite songs will have been written in this time signature, trust me we’re not talking weird Frank Zappa approved strangeness here
Read MoreAs one half of the Indigo Girls for over thirty years, Amy Ray’s feistiness and grit always served as a contrast and balance to Emily Saliers’ tenderness and sheen and this is doubtless what has made the duo such an enduring success. Ray has, by now, rightly earned her place as a member of folk rock royalty and on Holler, her sixth (who knew?!) solo record, her creative fires are burning as bright as ever.
Read MoreDanny Kiranos aka Amigo The Devil arrives on the scene with ‘Everything Is Fine’ and the one thing I can tell with absolute certainty is that things most definitely are not fine. In fact, we’re as far from fine as it’s possible to get. “This life is a joke and death is the punch line” gives you a good idea of Kiranos’ state of mind as Amigo The Devil. So join me, if you’d like to partake in an hour or so of Southern gothic murder folk country, with an occasional hard rock/metal left turn, because you never know things might turn out fine in the end, but I wouldn’t bet on it.
Read MoreThe really great thing about country music these days is the wide range of music associated with the genre. If you like your country with that Nashville sheen, or maybe look for something a little more pop or bro it’s out there. If you’re looking for a good old-fashioned tune, that’ll bring a tear to the eye because your dog died, or your wife/significant other left you, it’s out there. In many ways, due to the sheer weight of music being produced these days there really is something for everyone. I’m happy to check out pretty much anything under the country/Americana banner but I must admit that you can’t beat an album that sounds old-school and timeless yet current. With that in mind, J.P. Harris has delivered a record that feels right, looks right and above all sounds right.
Read MoreRGM first encountered Josh Taerk in late 2017 with the release of his ‘Stages’ EP a five track collection full of lyrical positivity and melody. Less than a year later and Josh is back with ‘Beautiful Tragedy’ which takes up where ‘Stages’ left off. I’m pleased to report that despite a serious haircut Josh hasn’t endured a Samson style loss of his creative strength.
Read MoreS. K. Wellington’s debut EP is the lovingly-nurtured baby of Canadian singer-songwriter Sarah Kemmers. It follows a long period of stepping back from her musical endeavours to stop, reassess and rekindle her creative fires. As a result there’s a confident, easy and nothing-to-lose vibe coursing through this four song collection which significantly contributes to its appeal.
Read MoreRuston Kelly has one of those back stories so strange you couldn’t make it up. Born in South Carolina Kelly's early childhood was fragmented as his dad worked in paper mills and travelled often for work, so every couple of years the family upped sticks. In his early teens Kelly hoped for a career in figure skating, so he moved to Michigan and joined an Olympic coaching team, which proved to be a very tough and lonely existence. Those dreams didn’t pan out, but with the music of Jackson Browne and his dad’s old guitar for company, the songwriting seed was sown. It wasn’t until his senior year in high school that he discovered The Carter Family and Johnny Cash in, of all places, the Belgium city of Brussels that things really started to click. At seventeen he returned to the USA and moved in with his sister in Nashville. Eventually, in 2013 a publishing deal was signed and Kelly placed songs with Josh Abbott and Tim McGraw — that helped pay the rent — before he snagged his own record deal and released the ‘Halloween’ EP in 2017 to impressive reviews.
Read MoreFor the ninth studio album of their twenty-year career, Lucero were seemingly keen to switch things up a little. After a run of albums with producer Ted Hutt that utilised horns and more complex arrangements to fashion a Memphis soul-influenced sound (they even found room to slip in a tune by Memphis’ favourite sons Big Star) frontman/songwriter Ben Nichols and the band went in search of inspiration. They found it in the rear view mirror as ‘Among The Ghosts’ strips the arrangements back to their very foundations and reveals a darker sound more in keeping with their roots. When coupled with a change in Nichols’ approach to his writing, bought on by a settled family life and the birth of his daughter, the results are impressive. The horns may have gone but the soul remains.
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