12 Months of Rush reissue campaign continues through 2015.


Fans of seminal Canadian act Rush will, I’m sure, be aware of the vinyl reissue campaign the band and their label Universal have embarked on in 2015. The legendary act are in the process of re-releasing their catalogue on vinyl and each LP will also contain a download code for the High Res Digital Audio of the album in a range of formats. Selected albums will also be made available on the Blu-Ray Pure Audio format (Fly By Night / A Farewell To Kings / Signals).


The campaign continues in May and June with the release of two classic titles in the shape of ‘Hemispheres’ and ‘Permanent Waves’. The later was the first release by the band to go top 5 in the USA while ‘the single ‘The Spirit Of Radio’ would be a hit in the UK.

The forthcoming titles are listed below. It looks like a great time for Rush fans and lovers of the resurgent vinyl format.

May: Hemispheres (Vinyl+Download Code / High Res Digital Audio): Another favourite of true Rush fans, this sixth studio album, released in 1978, once more explored fantasy and science fiction themes in Neil Peart’s lyrics. The final track, the ambitious nine-and-a-half minute “La Villa Strangiato,” was the band’s first instrumental  The album peaked at #47 on the Billboard charts, and was the group’s fourth consecutive gold album in the U.S., featuring the singles “The Trees” and “Circumstances.”

June:  Permanent Waves (Vinyl+Download Code / High Res Digital Audio): The seventh studio album was released on January 1, 1980, and recorded at Le Studio in Quebec, becoming the first U.S. album to go Top Five, peaking at #4 on the Billboard charts.  The effort marked a transition from the band’s long, conceptual pieces into a more accessible, radio-friendly style on such rock airplay hits as “The Spirit of Radio” and “Freewill,” with the album going platinum.


July: Moving Pictures (Vinyl+Download Code / High Res Digital Audio):  Rush’s eighth studio album, released in February, 1981, also turned out to be their biggest-selling in the U.S., rising to #3 on the Billboard charts (and #1 in Canada), as one of the first discs to receive the RIAA’s first-ever multi-platinum designation, scoring 4 million sales to date in the U.S. on the strength of classics like  “Limelight,” “Tom Sawyer” and “Vital Signs.”

Exit… Stage Left (Vinyl+Download Code / High Res Digital Audio):  Released in August, 1981, this live album was recorded during the Moving Pictures tour at the Montreal Forum and in Glasgow Scotland, peaking in the Top 10 of the Billboard charts, buoyed by live versions of “Close to the Heart,” “Tom Sawyer” and “A Passage to Bangkok.”

August: Signals (Vinyl+Download Code / High Res Digital Audio / Blu-ray Audio): This September, 1982, release marked the band’s increase use of electronic instrumentation, especially sequencers and electric violin (played by Ben Mink), peaking at #10 on the Billboard charts and eventually going platinum. A total of five singles were released from the album, including “Subdivisions,” which became a live staple of their concerts, along with “New World Man,” “The Analog Kid,” “The Weapon” and “Countdown.”

September: Grace Under Pressure (Vinyl+Download Code / High Res Digital Audio): Released in April, 1984, the band’s tenth studio album reached #10 on the Billboard chart and went platinum. Alex Lifeson called it “the most satisfying of all our records.” It was the first album they recorded without long-time producer Terry Brown, eventually producing it themselves.  The song’s themes were influenced by the growing tensions in the Cold War. The music itself continued the presence of synthesizers introduced on Signals, as well as incorporating elements of ska and reggae into their sound. Singles included “Distant Early Warning,” “The Body Electric,” “Red Sector A:” and “Afterimage.”

October: Power Windows (Vinyl+Download Code / High Res Digital Audio): This 1985 release was Rush’s 11th studio album, and the first time they worked with producer Peter Collins, who recorded the album at The Manor in the U.K., George Martin’s AIR Studios in Montserrat and Sarm East Studios in London. It was also the group’s first CD release. More keyboards and synths were introduced into the sound, with “The Big Money” and “Mystic Rhythms” made into videos for MTV. The album once more hit #10 on the Billboard 200 and eventually sold a million copies, earning platinum status. Other singles included “Territories,” “Manhattan Project” and “Marathon,” the latter two topping the U.S. Mainstream Rock airplay charts at #10 and #6, respectively.

November: Hold Your Fire (Vinyl+Download Code / High Res Digital Audio): Released in September, 1987, Rush’s 12th studio album continues the band’s commitment to exploring new songwriting territory, with Aimee Mann contributing vocals to “Open Secrets” and “Time Stand Still,” appearing in the video for the latter. The album debuted at #13 on Billboard and eventually went gold. The other singles included “Force Ten” (#3 U.S. Mainstream Rock), “Lock and Key (#16 U.S. Mainstream Rock) and “Prime Mover.”

December: A Show of Hands (Vinyl+Download Code / High Res Digital Audio): The band’s third live album was released January, 1989, recorded while on tour in Birmingham, U.K., New Orleans, Phoenix and San Diego during the 1988 Hold Your Fire tour, as well as in the Meadowlands in New Jersey during the 1986 Power Windows tour. The opening track “intro” features the Three Stooges theme song, “Three Blind Mice,” a song the band used to open many of their concerts during the ‘80s. That same year, the group released a video of the same name on VHS and Laserdisc featuring the Birmingham show, while a DVD version was included as part of a 2006 box set and as a stand-alone the following year.  The album reached #21 in Billboard, going gold, with the singles including “Closer to the Heart” and 12” promos of “Mission” and “Marathon.”