Welcome to Red Guitar Music, bringing you news and reviews from the world of rock, country, folk and beyond since 2014. Showcasing both established artists and those just starting out, we bang the drum for music we love.
Latest Reviews, features and Interviews
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Latest Reviews, features and Interviews 〰️
NEWS
Record Store Day 2024, or RSD as it is known, is on April 20th. Thousands of record collectors will flock to Indie record stores, hunting for the latest limited releases by their favourite bands. I’m pleased to report that Held By Trees will issue their excellent ‘Solace’ album as an expanded 2-disc set for the event limited to just 500 copies and mastered specifically for vinyl by Denis Blackham. More about the release and Held By Trees follows:
Status Quo broke through commercially in the 1970s, but this was no overnight success story. Long before the denim and the heads down boogie, there was a band formed in 1962 by school friends Francis Rossi and Alan Lancaster, learning their craft for many years before they became the Quo we know. There would be many ups, downs and sartorial as well as musical variations into which ‘The Early Years’ a new 5CD set from BMG, takes a deep dive, including material from pre-Quo acts The Spectres and Traffic Jam as well as the first two albums credited to Status Quo with plentiful bonus tracks including BBC sessions. The full press release and track listing follows:
Album Reviews
Sons Of Liberty are a bunch of old-school rockers who, somewhat surprisingly, hail from Bristol in the UK but are steeped in the harder-edged Southern rock rooted in the Southern states of the USA that came to prominence in the late 70s. The quintet made their recording debut in 2018 with a brace of EPs, ‘...Shinola’ followed by ‘Aged in Oak’. 'The Detail Is In The Devil' is their third full-length release and first with new singer Russ Grimmett.
Status Quo might not instantly spring to mind as an artist you would expect to embark on a series of archive releases, but if Vol.1 – Live In Amsterdam is any guide to the quality of this new undertaking, fans are in for a treat. The band has joined the likes of Bob Dylan and Neil Young in delving deep into the vaults to unearth, spruce up, and release a live show recorded on October 19th 2010, at the Heineken Hall in Amsterdam for a limited numbered edition CD and LP release. This makes perfect sense; Status Quo live, there are few better, so what more do you need to know?
Fred Abbott may be better known to you as the guitarist from the much-loved and hard-to-pigeonhole band Noah & The Whale. A popular live draw, their refreshing, inventive approach to songwriting and record-making set them apart from the crowd but ultimately the band split in 2015, with four albums to their name. Abbott’s solo debut, Serious Poke, appeared shortly after, sporting a more straightforward, guitar-centred sound. Eight years later - and having gained broad experience as a session musician and producer in between - Abbott has returned with Shining Under The Soot, a mature and beautifully crafted follow-up, brimming with energy and heart.
When you think of progressive rock/metal concept albums, one name springs instantly to mind, Arjen Lucassen. It could have all been so different for Lucassen, as his 1993 solo album, released under the Anthony moniker, ‘Pools Of Sorrow, Waves Of Joy’ was met with indifference by the record-buying public (finding a copy thirty years later will be a long and expensive search). Seemingly undaunted and already a hard rock veteran after stints in Bodine and Vengeance, Lucassen pushed on regardless, his determination resulting in a slew of projects that played a crucial role in revitalising the progressive rock/metal scene via releases under the Ayreon, Ambeon, Guilt Machine and Star One banners while still finding time for guest appearances and contributions to albums by leading lights of the scene such as Within Temptation and Avantasia. For this project, Lucassen has put his little black book of names to one side (Lucassen has enlisted many performers on his star-studded albums, especially singers) and settled on a band project, it’s still essentially a concept record in the Lucassen tradition, but he looks to be out to have a little fun, and the results are glorious.
Ledfoot aka Tim Scott McConnell and Ronni Le Tekrø seem, at first look, like an odd pair. Tim, born in Florida, has been based in Norway for many years, adopting the Ledfoot moniker in 2007 after a string of solo releases on major labels and as frontman of The Havalinas. Ronni Le Tekrø is best known as the guitarist in TNT, Norwegian rock royalty, enjoying considerable international success since their formation in 1982. The Norwegian connection would seem to be the cement here, and ‘Limited Edition Lava Lamp’ is their second record as a duo.
For bands and singer-songwriters, 2020 was hardly the best year to release a new album. And let’s face it, 2021 wasn’t much better. The only hope for artists with new music was that they could somehow connect online, as reaching fans via physical touring was out of the question. As a result, countless records were overlooked, under-noticed and sailed away, unloved. Scott Matthews released his eighth album, the sonically ambitious New Skin, in December 2020, at the start of a winter most of us are keen to forget. Three years later, Restless Lullabies sees the same set of songs reborn, and, in an effort to ensure that each are properly heard, they have been stripped of skin, flesh and - in some cases - their very bones, in his most exposed and intimate record to date.
From his self-titled, triple platinum-selling debut album in 1987 to ‘Limitless’ in 2020, Richard Marx has had an unerring knack for a melody (not to mention a pretty wonderful voice). Marx's songwriting skills have enabled him to stay relevant throughout his nearly forty-year career. His sound has evolved over time, with the punchy guitars of the late 80s replaced by a smoother, more R&B/pop sound tailored to radio and streaming services. Along the way, his song craft has been in high demand, co-writing and/or contributing songs to a startling array of artists from Kenny Rogers to Keith Urban via NSYNC, Luther Vandross and Vixen. An impressive CV, but where does that chameleon-like ability to pen hit songs come from? How does he do it? Hopefully, ‘Songwriter’ might give us a bit of a clue as we take a journey through twenty tracks encompassing four genres; pop, rock, country and ballads.
In 2003 fresh from the success of ‘Heavy Traffic’, which found a rejuvenated Quo recovering somewhat from a run of uninspired releases, things were seemingly on an upward curve. So, what do they do? They release another covers album…honestly guys, really? There’s been a trend in recent years, which isn’t particularly welcome, of bands rerecording their own songs or putting out cover albums of their “favourite” songs (usually the same “favourite” songs of every other band on the planet). The Quo did both on one album!
I’ll always have a soft spot for Status Quo. Admittedly this is based on a hazy memory of a March 1981 show on the ‘Never Too Late tour. In those days, the Quo were a British institution as the classic line-up of Rossi, Parfitt, Lancaster and Coghlan were revered by fans and could be relied upon for no-nonsense hard rock of the highest order. It wasn’t overly complicated, but they had the songs; it was loud, it was sweaty, and that was good enough for me. Unfortunately, my love of all things Quo was brief as post ’82 Quo were a mere shadow of their former selves and had a string of pretty terrible records to prove it.
Back in 2015, Miriam Jones was treading the well-worn path of the folky singer/songwriter. Her Simon Edwards (Fairground Attraction) produced album ‘Between Green and Gone' was acoustic-based but recorded with a full band and received radio support from Bob Harris and Robert Elms. An impressive record, it looked like we would be seeing a lot of Miriam but the Canadian native slipped off the radar (well, my radar anyway) until recently when she reappeared with new music that showed a marked evolution in her sound.
Silent Running is a name that might be familiar to readers with a long memory. The Northern Irish rockers released their debut record ‘Shades Of Liberty’ on EMI in 1984 before moving to Atlantic for two further albums. The guys maintained a busy touring schedule that included shows with Talk Talk, Simple Minds, John Foxx and Robert Palmer and even appeared on The Tube (an iconic TV show that was incredibly influential at the time). Unfortunately, major success eluded them and the band called it a day in 1989. It looked like the Silent Running story was over, but after a thirty-year hiatus, the guys thought it might be fun to play a few songs at a band member’s wife’s birthday party. The birthday party would lead to a sold-out show at Belfast’s Voodoo, and now Silent Running are back with a fourth album, ‘Follow The Light’ to coincide with the 40th anniversary of the band.
‘Solace’, the debut record from Held By Trees, is a new instrumental project featuring a string of well-known names from the UK and further afield. The man at the heart of Held By Trees is David Joseph, a producer and multi-instrumentalist with aspirations to put together an album that harked back to the seminal recordings of Mark Hollis and producer Tim Friese-Green in Talk Talk and celebrate the natural world.
Jack Broadbent’s 2019 album ‘Moonshine Blue’ was an impressive release that found the singer and guitarist dabbling in various genres. Jack wasn’t a slave to his reputation as an excellent slide guitarist and bluesman and seemed content to go wherever his muse took him to showcase his talents as a singer, songwriter or, as I put it, folky troubadour. For his latest release, at least at first glance, he’s seemingly sticking to the blues, but there are still plenty of twists and turns along the way on what might well turn out to be his best and most cohesive release yet.
As a founding member of legendary Canadian rockers Rush, Alex Lifeson sold millions of records and embarked on numerous world tours with bandmates Geddy Lee and Neil Peart. The trio played huge venues to a level of fan adoration that many of their contemporaries could only imagine. The only time I was lucky enough to catch the band was on their ‘Roll The Bones’ tour at London’s Wembley Arena. That night convinced me how special they could be, even if I wasn’t always totally convinced by their varied musical output. Rush played their last shows as a band in 2015, and with the sad passing of Neil Peart in 2020, the Rush story came to an understandable, albeit sad conclusion. This brings us to the question of what do you do when you have been there, done it and bought the t-shirt (and probably a very nice house)?
If anything positive came out of the pandemic for musicians, it could have been that artists had to get inventive if they wanted to be heard. Anna Howie had spent time in Nashville pre-pandemic recording the ‘An Idiots Guide To Love’ EP with producer/guitarist Bob Britt (Leon Russell, Delbert McClinton and Bob Dylan) and attended a songwriting camp with Gretchen Peters. As with so many artists, Nashville had been inspirational, so a return was on the cards until it wasn’t. Undaunted, if a little apprehensive, Anna embraced the world of online streaming to connect with her audience and The Friday Night Club was born. The 28 online sessions would be a great success attracting almost two million views creating an online community almost by accident, offering Anna the freedom to try out new material before an appreciative virtual audience. Those Nashville plans might not have come to fruition, but Anna connected with producer and multi-instrumentalist Lukas Drinkwater (Jacob & Drinkwater, Emily Barker) and slowly but surely, over six months, pieced together ‘The Friday Night Club’ album at his Polyphonic Studio in Stroud, UK.
The Red Guitar Music album reviews archive.
- 80s 8
- AOR 26
- Acoustic 23
- Album Reviews 205
- Alt-Country 12
- Alternative 4
- Alternative Rock 18
- Ambient 3
- Americana 74
- Blu-ray 1
- Bluegrass 6
- Blues 24
- Book Review 1
- Box Set 2
- CCM 1
- Christmas 2
- Classic Rock 66
- Country 51
- Country Rock 14
- DVD 2
- Electronic 3
- Film Review 1
- Folk 83
- Funk 1
- Hard Rock 15
- Heavy Metal 5
- Holiday 1
- Indie 3
- Indie Pop 2
- Instrumental 5
- Jazz 3
- Melodic Rock 29
- Metal 1
- NWOBHM 2
- New Wave 1
- Pop 40
- Post-Rock 1
- Power Pop 1
- Progressive Rock 11
- Psych 1
- Punk 2
- R&B 2
- Reggae 2
- Rock 23
- Roots Rock 1
- Singer-Songwriter 123
- Soul 10
- Soundtrack 2
- Southern Rock 7
- Traditional 3
The Baker’s Dozen
These days, with a seemingly inexhaustible amount of music available at the click of a mouse, it is easy to miss things in our search for instant gratification. The art of getting to know an album over repeated listens, allowing it to slowly reveal itself, is in danger of being lost. A case in point is the aptly titled ‘Modern Nostalgia’, the latest release from The Last Hurrah (!!), a project helmed by Norwegian musician/producer HP Gundersen. ‘Modern Nostalgia’ blends a distinctly European (Serge Gainsbourg/Marianne Faithfull) approach with the California sound of Gram Parsons and The Byrds, utilising a variety of singers and instrumentation along the way to reveal its charms. With this in mind, we caught up with HP Gundersen to learn more about HP and his collaborators in The Last Hurrah (!!).
Northern Irish singer, songwriter and humanitarian Joby Fox was in London recently for two shows in support of his excellent album ‘I Once Was A Hawk…Now I’m A Dove’. RGM was lucky enough to be at the second of these, and you can read a review here. While Joby was performing his promotional duties, he took the time to complete a Baker’s Dozen for RGM. Topics included his favourite records and artists that inspire him while we were reminded that one invention is particularly vital.
With the release of 'The Broken Road Back Home' in late 2022, Jennifer Crook received some of the best reviews of her career, with Folking claiming it as "One of the year's best albums". Jennifer is no stranger to good reviews, and a high bar had been set with The Telegraph, Mark Radcliffe and Fatea Magazine praising her previous work. ’The Broken Road Back Home’ is a lovely record with a timeless quality that should appeal to anyone who appreciates good songs and a finely crafted album with excellent musicianship. The album recently received a limited edition vinyl pressing, so it seemed like the ideal time to catch up with Jennifer to learn a little more, and, unsurprisingly, we found her in the recording studio.
Fans of Big Big Train and the Steve Rothery Band will need no introduction to Dave Foster. The guitarist and songwriter has been heavily involved with both in the last few years but dig a little deeper, and you’ll discover Dave’s solo career and his work with vocalist Dinet Poortman. ‘Glimmer’ is the second album from the duo and does a wonderful job of utilizing progressive instrumentation, including plenty of fluid, yet punchy, guitar playing from Dave, on a bunch of songs with striking pop sensibilities. Fans of the aforementioned acts, and a band we recently championed here at Red Guitar Music, League Of Lights will surely enjoy ‘Glimmer’ immensely. The album was released on CD/LP in April, with a digital release on May 19th, so go check it out. We caught up with Dave for a wide-ranging chat (anyone who starts out by mentioning Bob Seger’s Nine Tonight is alright in my book) about his musical tastes, career and choice in film (Wes Anderson is another big tick here at RGMHQ). Now if we can get him to elaborate on that Steve Vai story…
If you were very lucky, you might have caught Jenny Don’t and The Spurs on their recent UK tour, which included a show at the Ramblin’ Roots Revue in High Wycombe. The Portland, Oregon act were promoting their excellent ‘Fire On The Ridge’ release, an essential purchase for all lovers of old-school twangy country sounds delivered with maximum gusto and bags of attitude. Before they set out on the Europe dates, which will keep them busy through May, we caught up with bassist Kelly Halliburton who was incredibly generous with his time, resulting in a very cool edition of the Baker’s Dozen.
In 2005, nineteen-year-old Jerry Leger cut his first independently released album. Since then, the prolific singer-songwriter has recorded 10 additional albums under his own name, with the last 4 released via Cowboy Junkies' label, Latent Recordings. His latest release is a four-track EP 'Latent Uncovers' that features his take on songs by Lou Reed, Jeff Tweedy, Leonard Cohen and David Bowie. Red Guitar Music caught up with Jerry for a brief chat about his influences, and he reminds us it doesn’t get much better than Gordon Lightfoot.
London-born but New York-based Adam Masterson recently released his second album ‘Time Bomb’ digitally with CD/LP to follow on July 21st. It’s been two decades since his debut ‘One Tale Too Many’ but Adam has kept busy releasing various EPs, shared stages with the likes of Tori Amos, Amy Winehouse and Stereophonics and guested with Patti Smith and Mick Jones (The Clash). We caught up with Adam for an enlightening chat about the music business in 2023 and how buying a Tom Petty record from a beach vendor in Turkey proved inspirational.
Craig Gould is an artist looking to make a difference. Following a run of singles, Craig will release his debut album ‘Songs From The Campfire’ on April 14th. The album is the centrepiece of Craig’s personal campaign to raise awareness of mental health issues, with ALL profits from the album and singles benefitting the CALM charity https://www.thecalmzone.net/. Please read on to learn more about Craig’s back story, the album ‘Songs From The Campfire’ and why he feels so passionate about this project. Singer. Songwriter. Storyteller. Campaigner. Craig is all these things, so it seemed an ideal time to get to know Craig a little better via The Baker’s Dozen here at Red Guitar Music.
Welcome to the first Baker’s Dozen of 2023. We’ve revamped things a little and Australian singer/songwriter/guitarist and luthier Nigel Wearne kindly stepped up to the plate for the first at bat. Nigel recently showcased at the Americana UK Music Festival in London and completed an extensive UK tour alongside sometime duet partner Lauren Housley. Nigel talked guitars, songwriting, Aussie legends Cold Chisel, Tom waits and also gave us an insight into the making of his upcoming album ‘The Reckoning’.
Kaya Stewart will release her second album ‘If Things Go South’ on September 30th via Bay Street Records. Kaya released her first album via Warners while still in her mid-teens back in 2016 and is now an industry veteran at just 22. Co-written and produced with her father, Dave Stewart (Eurythmics, Daryl Hall, Tom Petty), it is Kaya at her most authentic, expressive self.“This record is one-hundred per cent who I am now,” she declares. “This is the Kaya I was working towards all along.” RGM caught up with Kaya to learn a little more about her and the influences that helped to shape the new record.
TOUR NEWS
Glen Hansard has announced a solo acoustic UK tour for April 2024 set to include two shows at Union Chapel in London. Tickets are on sale from 10am on Friday December 8th 2023
Robin Trower will return to UK stages in May 2024 for a select run of shows taking in London, Gateshead and Holmfirth. It’s been six years since Robin Trower last played in the UK, but the iconic guitarist has certainly been keeping busy. Recent album releases include the United State Of Mind project with Maxi Priest and Livingstone Brown and three albums in four years on the Provogue label, including his most recent ‘Joyful Sky’ with vocalist Sari Schorr. It’s hard to believe that Robin Trower first came to prominence with Procol Harum in 1967 and was selling out stadiums in the USA with his solo band in the 1970s. More about Robin Trower and those tour dates follow:
Following the success of his 2022 album ‘Ride’ and equally well-received UK dates in 2023, Walter Trout has a new album ‘Broken’ set for release on March 1st via Provogue / Mascot Label Group featuring appearances from Beth Hart, Twisted Sister's Dee Snider and Harmonica virtuoso Will Wilde. In support of the album, Walter will return to the UK for a run of shows, including a return to Islington Assembly Hall in London, where he played a blinder of a show on his last visit. Full tour details and the video for ‘Broken’ featuring Beth Hart follow:
Live Reviews
Firstly, I’d like to get the elephant in the room out of the way. I would never claim to be an expert on jazz. There, I’ve said it. I thought I’d start with this sweeping statement to enable lovers of the genre and those who consider themselves experts in the field to look away now (I won’t take it personally). So please don’t expect in-depth examinations of structure or time signatures as I ramble on about who knows what. Although Matti did mention at one point, in that relaxed way of his, that the trio had played a tune, complete with extended solo breaks in 11/4 time, so there you go. I’m a casual fan of the genre, by which I mean I’ve some Miles, Kenny Burrell and a few other odd things in my collection and plenty of stuff that’s jazz adjacent in Joni, Steely Dan etc. There won’t be too many mentions of the technical abilities of the players here just an appreciation of great music, in a location integral to the UK jazz scene for decades.
Located a mere stone’s throw from Maryland or a brisk ten-minute walk from Stratford International Station, the Cart & Horses in East London calls itself “The Birthplace of Iron Maiden” and isn’t shy about it. Iron Maiden played the venue on numerous occasions in 1976 before embarking on their ascent to the very top of the Heavy Metal tree, and the pub is a shrine to the UK legends (it’s also home to plenty of West Ham United fans). Every available surface is covered with art, records and memorabilia, so if you’re a fan of the boys, then the Cart & Horses is well worth a visit. The area around the pub remains untouched by post-Olympic Games regeneration and remains very much “old” London, aka dark, dreary and pretty bleak on a rainy night in December. Tonight’s music wouldn’t be all that far removed from Iron Maiden as it turned out, but more about that later as I was in town to catch up with up-and-coming Antipodean songstress Cassidy Paris, a recent signing to the Italian melodic rock label Frontiers.
It’s a cold, wet November evening in Camden Town, but I’m happy to ignore the inclement weather as The Forge is hosting the first London show in almost two decades by Sophie B. Hawkins. The singer is in town promoting her ‘Free Myself’ album, released earlier this year after another lengthy gap - in this case, a mere eleven years. Time sure does fly. It’s my first time at The Forge, just a few yards off the main drag, an unassuming entrance opening out into a decent-sized space with a balcony for the VIP experience. I’m running a little late, but I’ve just enough time to grab a beer and a spot by the mixing desk as Sophie’s three-piece band (drums, bass, keys) takes to the stage.
For me, Green Note in Camden Town remains one of the best venues in London. I have seen some great shows there in recent years, but it was my first time down in the Basement Bar, which makes the intimate confines of the main room upstairs seem positively palatial by comparison. If we were to talk about interesting characters with a story to tell, Joby Fox would certainly qualify, so Green Note was the ideal venue to get to know Joby Fox a little better.
There’s something about the Camden area of London that has defiantly resisted gentrification and the seemingly inevitable advance of big corporate names. You’ll see the odd famous name coffee shop, but generally, the corporate giants feel like temporary intruders just passing through. The short walk from Camden station, over the canal and up to Chalk Farm for this evening’s entertainment feels bohemian and otherworldly. The area is home to the outsider and those rooted in the arts, with a hint of danger, amongst other things, hanging in the early evening air as you walk past the various chancers, reprobates and not one, but two charity organisations trying to make a difference by offering hot meals from temporary street stalls. For an artist such as Tara MacLean, who had an unconventional (to put it mildly) upbringing in the wilds of Canada fraught with danger and uncertainty - that would most certainly be considered outside the norm - it seems strangely fitting that she should find herself telling stories and singing songs in the Camden Club, an intimate venue with a blink you will miss it, black entrance staircase leading to a large door, complete with a ridiculously oversized door handle, that looks like it should have its own portcullis and a moat.
As the audience settle themselves among the pews in the Union Chapel, the vacant stage is as uncluttered as it gets: a solitary central mic and two empty guitar stands. That’s it. I would wager that the sleep of the tour manager is long and undisturbed on this one. Also onstage, dwarfing all else, is a massive stone pulpit, lest we forget we are in a place of worship. Those guitar stands, of course, belong to Kenneth Pattengale and Joey Ryan, the titular Milk Carton Kids who have sold out tonight’s show, timed to coincide with the release of their new album, I Only See The Moon.
After an evening of acoustic loveliness with Milk Carton Kids at Union Chapel on Saturday, It was only a short walk down Islington’s Upper Street for Sunday's entertainment as legendary blues singer and guitarist Walter Trout is in town. For those unfamiliar, the Assembly Hall is part of the Islington Town Hall complex built in 1930, but only reopened as a venue in 2010 after languishing as storage space for many years and retains many impressive art deco features. The hall has a capacity of approximately 900, but it always feels more intimate, the staff are friendly, and most importantly, the sound is excellent. But enough of the architectural/history lesson, it's time we get to the music, and as we arrive, opening act Alastair Greene is doing his thing.
It's a Sunday night, and I'm at the O2 Shepherd's Bush Empire, undaunted by the typically miserable weather, for the final night of the Kenny Wayne Shepherd Band UK tour. The Empire is a long way from Shreveport, Louisiana, but it's also been twenty-five long years since the original release of ‘Trouble Is’ elevated the guitarist to the top of the blues tree. The platinum-selling record would spawn four crossover rock hits, building on the success of his debut album, ‘Ledbetter Heights’, and catapulted the young guitarist to headline status while still in his early twenties.
I could call Suzanne Vega the godmother of modern folk; I could call her a craftswoman of songs both wise and timeless; a simultaneous master of simplicity and depth. A legend? Maybe. An icon? Definitely. I could say that her fiercely poetic and melodic vignettes are woven into the fabric of a generation; inspiring millions to pick up guitars and pick out their own truths, stories and emotion. I could say I’m a fan. But you probably already worked that one out.
The Garage in London’s Highbury area is celebrating its thirtieth anniversary, and there are few better places to see a live band in the capital. Originally a Temperance Billiard Hall, the venue supposedly served great pies but was typical of such establishments back in the day attracted an interestingly varied clientele (In my head, I’m picturing a scene from Get Carter or The Krays). It became a venue in 1993, hence the anniversary, with Pulp as one of the first big-name acts to appear. On my arrival, a decent-sized, yet orderly, queue is snaking its way down the street, but I’m still able to get in for an unfathomable, to me, early start to find Trapper Schoepp is already in full swing. I’d forgotten how good The Garage was until this evening, as it’s been a few years since we’ve crossed paths, but with friendly door staff and clear as a bell sound, things are definitely looking good.
The RGM Feature Interview
Now in its eleventh year, the Maverick Festival is established as the premier festival in the UK for Americana and all the many and varied strands of music that come under this broad banner. I caught up with Paul Spencer the man behind the Maverick experience for a chat about the history of the festival and what to expect at Maverick 2018:
RGM caught up with Night Ranger founding member Jack Blades by phone from the USA on the day of his flight to the UK to headline the Hard Rock Hell AOR festival in Wales. The band will also play a co-headline show with Skid Row in London on a flying visit to our shores. Night Ranger formed in the early 80's and have sold a very impressive seventeen million records worldwide and continue to release albums and maintain a very busy touring schedule to this day. Jack was very generous with his time as we discussed all things Night Ranger and touched on his various other projects. So crack open your favoured brew and settle back as RGM talks to Jack Blades:
Looking for new music? We’re here to help with a quartet of upcoming/recent releases full of melody and thoughtful songwriting. We’ve the welcome return of Ruth Theodore after a long absence, blue-collar tales from Sheffield via Fargo Railroad Co, a Devon songwriter inspired by the Japanese art of Kintsugi in Small Town Jones and melancholic hopefulness courtesy of Alex Coley and Afterlove from Canada.