Gitta De Ridder - Feathers (Album Review)
If you like delicately crafted and quietly shimmering acoustic music then the debut LP from Gitta De Ridder is something you really ought to know about.
Read MoreGreg Cornell, Lynne Hanson, Cody Jinks reviews
With so much good music reaching us at Red Guitar Music these days we thought we'd add a few more in-brief style reviews for albums we feel are worthy of your attention from Greg Cornell & The Cornell Brothers, Cody Jinks and Lynne Hanson. As regular readers will know we have an eclectic approach here at RGM so you'll find a little folk an album of murders ballads and some old-school country for your perusal
Read MoreRay Wilson - Makes Me Think Of Home (Album Review)
Makes Me Think Of Home’ is the second album of 2016 from singer-songwriter Ray Wilson following the acoustic ‘Song For A Friend’ release and for some artists they’d be stretching themselves a bit thin. This is not an issue for Ray Wilson as the inspiration well is far from dry and ‘Home’ is another fine addition to his solo discography that brings together multiple influences from the worlds of pop, rock and prog.
Read MoreThe Looking - Lead Me To The Water (Album Review)
Very occasionally an album comes along that just instantly feels like an old friend. It feels like you’ve owned it for years and you’ll always find yourself going back to it when the mood takes you. The title track which opens the new album from The Looking did just that for me. I felt an instant connection; one of those moments when a piece of music suits you right down to the ground and you just know ‘Lead Me To The Water’ is going to be a great album.
Read MoreKansas - The Prelude Implicit (Album Review)
Sixteen years since their last studio album is an awfully long time but for Kansas, who can chart their history back to 1970 and released their debut album in 1974, it just feels like a small part of the overall plan. With a quite staggering 30,000,000+ album sales worldwide Kansas are one of the biggest acts of the classic rock era but for all such acts, Journey instantly spring to mind, longevity is a double edged sword as the sands of time can catch up with a band, members leave for a variety of reasons and the musical landscape is forever changing. Kansas have kept themselves busy as they still play around a hundred shows a year and recent releases have included a feature length documentary ‘Miracles Out Of Nowhere’ that charts their long career. Founder members Richard Williams (guitar) and drummer Phil Ehart don’t look to be retiring anytime soon and on the strength of ‘The Prelude Implicit’ it looks like the band are about to embark on an impressive new chapter in their illustrious career.
Read MoreSeth Lakeman featuring Wildwood Kin - Ballads Of The Broken Few (Album Review)
Sometimes a project just has a way of coming together and the superb new album from Seth Lakeman is a case in point. When Seth met Wildwood Kin at a charity event he was struck by the ability of the trio (sisters Emillie and Beth Key and their cousin Meghann Loney) to effortlessly create harmonies. One roughly recorded demo on a mobile phone of Seth and the girls singing together enticed famed producer Ethan Johns (Ryan Adams, Kings Of Leon, Paul McCartney) to get involved and the result is a sublime combination of strident instrumentation and delicious vocal harmonies.
Read MoreIan Hunter & The Rant Band - Fingers Crossed (Album Review)
Ian Hunter can trace his career back to the late 1950’s but has demonstrated absolutely no signs of slowing down his touring schedule (UK tour dates are booked for November) and even less signs of a drop in quality with ‘Fingers Crossed’ his first album since ‘When I’m President’ received great reviews in 2012. Opener ‘That’s When The Trouble Starts’ is a rollicking, ramshackle barroom brawl of a tune that shows that Hunter is in no mood to retire to a life of watching daytime TV in his slippers just yet and for that fans of quality tunesmiths can be very grateful.
Read MoreRuth Theodore - Cactacus (Album Review)
It’s been a decade since I first heard Ruth Theodore. I remember a tiny girl playing in a tiny bar in Kentish Town to a tiny crowd. Nonetheless, she made a big impression. It was rare, at that time, to find a female singer-songwriter who wasn’t all insipid waif and whimsy (thanks, Dido) and Ruth Theodore, although blessed with a beautiful voice, backed it up with amazingly accomplished guitar skills, songs of substance and huge onstage cojones. It felt like I’d stumbled upon Britain’s answer to Ani DiFranco, because, basically, I had. She’s been a mainstay of the London circuit ever since and, living on a narrowboat deep in the East End, she’s a genuine troubadour of the capital. I’m very heartened to discover that with her fourth album, Theodore has matured but lost none of her youthful bite. Listeners ought to beware, Cactacus is a record with spikes.
Read MoreLydia Loveless - Real (Album Review)
Hard to believe but ‘Real’ is the fourth album from Ohio native Lydia Loveless and she’s still only 25. On previous Bloodshot album releases Loveless has been compared to country and rock royalty in Loretta Lynn and Stevie Nicks alongside highly influential alt-rock pioneers The Replacements (needless to say with The Replacements name checked there are guitars on this record…actually that should read… there are GUITARS on this record). The album was recorded close to home at Sonic Lounge Studios in Columbus, Ohio with Joe Viers (Dr John, Twenty One Pilots) her regular producer and the result is a very fine record indeed.
Read MoreTerra Lightfoot - Every Time My Mind Runs Wild (Album Review)
Hamilton, Ontario singer and guitarist Terra Lightfoot is clearly intent on making a statement with the release of ‘Every Time My Mind Runs Wild’ the subdued vibe of her debut album, released back in 2011, is but a distant memory. For her sophomore release a new band has been enlisted and producers Gus Van Go & Werner F, best known for their work with The Stills, are behind the desk. The result is a strident rock record that manages to successfully perform the delicate balancing act of maintaining Terra Lightfoot’s roots, soul and blues influences while adding a catchy pop sensibility.
Read MoreThe Cadillac Three - Bury Me In My Boots (Album Review)
Hailing from Nashville, Tennessee The Cadillac Three are perhaps an unlikely act to be enjoying success this side of the pond. The trio employ a sound that appeals to Southern rockers and country fans alike but historically this has proved a hard sell in the UK. For TC3 this has not been an issue as they’ve been incredibly well received and built an increasingly ardent following with a run of impressive festival slots and headline shows at increasingly larger venues. The release of new long-player ‘Bury Me In My Boots’ and a UK tour, that will include a show at Shepherd’s Bush Empire in London, is confirmation that the guys are on a roll. The band are here to have a good time, turn the music up and crack open the Tennessee Whiskey which kinda helps and definitely works for me.
Read MoreDarlingside - Birds Say (Album Review)
It’s little wonder that Darlingside’s quad-vocal acoustic loveliness has had glowing reviews back home in Massachusetts, with critics comparing them to the legendary likes of Crosby Stills, Nash & Young and Simon & Garfunkel. Even though their sound is heavily informed by these godfathers of acoustic music, Darlingside are much more than just hippy throwbacks. Amid the bliss of the mandolin, banjo, lush acoustic guitars and strings, more contemporary heavyweights Iron & Wine, Fleet Foxes and Nickel Creek are all brought to mind as well. Birds Say gets a UK release on July 15th (the band already having released an EP and debut album Pilot Machines in the US) and they will be playing a short UK tour at the end of this month starting with a slot at the Cambridge Folk festival.
Read MoreBlue October - Home (Album Review)
The last time I saw Blue October was at a packed-out London show in support of their 2011 album Any Man In America. To describe their live show as intense would be a serious understatement. Ferocious would be more appropriate. Petrifying would be accurate. The band’s sound was immense and frontman Justin Furstenfeld’s performance dripped with barely contained visceral rage as the album’s songs played out the bitter tales of broken family life and all its attendant carnage. It comes as something of a shock then that ‘Home,’ their new single from the release of the same name, paints a picture of total domestic bliss.
Read MoreBen Abraham - Sirens (Album Review)
Way back at the beginning of the year and my day started, as usual, with a trawl through my inbox when I discovered the link (cheers Jay) to a video entitled ‘You and Me’ by Australian singer-songwriter Ben Abraham. The video put together by the very clever people at Production Company Oh Yeah Wow is visually stunning, the set decoration / lighting in the final third really is a thing of beauty. The video perfectly complements the song and it really caught my attention. I had no clue who Ben Abraham was but I was keen to find out.
Read MoreMikko Joensuu - Amen 1 (Album Review)
“Sometimes it feels like darkness has taken over. I know sometimes it feels that hope’s just not there” are the opening two lines of ‘Enjoy It While It Lasts’ from ‘Amen 1’ the debut solo album from Mikko Joensuu. Needless to say when you match the lyrics to plaintive pedal steel, gently picked acoustic guitar and the swell of strings it’s obvious that Mikko Joensuu is dealing with some seriously weighty issues. The fact that the track has an incredibly stark, raw beauty to compliment the melancholy marks ‘Amen 1’ as the beginning of something a little bit special.
Read MoreAukai - S.T. (Album Review)
The press release for the debut Aukai album tells us “Aukai is a Hawaiian word meaning seafarer or traveller. It’s also used as a proper name, and people who are called “Aukai" tend to have a mystical, philosophical, introspective nature.” Aukai aka Markus Sieber lives up to the ideals of the name and takes us on an introspective, aural journey that allows your imagination to decide where you are going and why.
Read MoreAndy Shauf - The Party (Album Review).
With 2015’s self-recorded and highly acclaimed The Bearer of Bad News, Andy Shauf put himself firmly on the musical map, playing all the instruments and recording the album single-handedly. Barely more than a year later, here he is with The Party, his debut release for ANTI- and it’s a very impressive thing. As I write, Shauf is quite deservedly being exposed to a wider audience, supporting The Lumineers on their current European tour.
Read MoreAfro Celt Sound System - The Source (Album Review)
The original mission statement for Red Guitar Music was a simple one; write about music we liked in the hope that our readers would feel the same about the acts we covered. We had no idea of the range of music that would turn up in the RGM inbox or even, on occasion, on good old fashioned physical CD. It really has been a revelation and our musical horizons have extended far beyond the boundaries we set at the very beginning. This eclectic approach seems to have gone down well and we hope regular readers will continue to discover new music which brings us to Afro Celt Sound System.
Read MoreFraser Anderson - Under The Cover Of Lightness (Album Review)
In late 2014 Red Guitar Music was pleased to review a very fine album by Scottish singer-songwriter Fraser Anderson. The album ‘Little Glass Box’ was originally self-released in 2012 and sold at gigs but a deal with the Membran label allowed the album to reach a much wider audience. This was a very welcome development as ‘Little Glass Box’ is a gem and the soulful, folk sound of the album was compared in the press to Nick Drake, Joni Mitchell and John Martyn, esteemed company indeed. Two years on and Fraser has relocated to Bristol, England after a decade living in France and has also returned, musically, with ‘Under The Cover Of Lightness’.
Read MoreTreat - Ghost Of Graceland (Album Review)
I consider myself reasonably well-versed in the biggest of the big-hair hard rock acts but Treat are a band that have simply passed me by, in spite of their thirty-year pedigree as well-respected Swedish melodic rockers. A career that has seen them constantly in the shadow of the success of Europe might go some way to explaining how it happened, but Ghost of Graceland makes me think I may have seriously missed out.
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